Ice Alive has a life of it’s own – no longer just a film, now an organization that exists to promote emerging scientists and communicators working on Earth’s changing ice and snow. Our website (icealive.org) is almost ready to launch, and we have just announced our inaugural Ice Alive grant scheme!
The grant will support 2-4 individuals or teams that have a novel idea for communicating cryospheric science on the broad theme of “Ice Alive”. We hope to see applications from artists, performers, musicians, writers, educators, journalists, scientists – anyone who has a great idea for spreading cryospheric science to new audiences in exciting ways.
All the details are HERE – please spread the word and/or apply yourself before 31st July 2018.
The importance of communicating science, the value of art-science collaborations and the vulnerability of the Greenland Ice Sheet are the main topics of my radio interview at Monocle24, available to download HERE
In collaboration with Rolex Awards for Enterprise, Proudfoot Media and I have produced a documentary film explaining the latest research into the surprising hidden biology shaping Earth’s ice. The story is told by young UK Arctic scientists with contributions from guests including astronaut Chris Hadfield and biologist Jim Al-Khalili. We went to great lengths to make this a visually striking film that we hope is a pleasure to watch and communicates the otherwordly beauty and incredible complexity of the Arctic glacial landscape. We aim to educate, entertain and inspire others into exploring and protecting this most sensitive part of our planet in their own ways.
We think the film is equally suited to the general public as school and university students, and we are delighted to make this a free-to-all teaching resource. Please watch, share and use!
Alongside this film, I also collaborated with musician Hannah Peel on an audiovisual piece designed to communicate the complexity of process occurring on the Greenland Ice Sheet through sound. View the piece (good headphones recommended!) and write up here
As an Arctic scientist I am privileged to be able to explore the coldest parts of our planet, making observations and measurements and helping others to understand how these areas function by writing papers and giving talks, lectures and writing for magazines and newspapers. But to truly understand an environment, we must also explore the intangible and immeasurable. To communicate it to diverse audiences, we must use not only facts and observations, but aesthetics and emotion. The piece above is a bridge connecting music and science – an effort to understand and communicate the hidden beauty, complexity and sensitivity of the Greenland Ice Sheet through sound. I hope that projects like this will bring new audiences to Arctic science, using music, art and aesthetics to pique their curiosity.
This project arose from a chance encounter in 2017. I was a guest on Radio 4’s Midweek program, along with musician Hannah Peel. As I listened to her explain her art on air, and later listening to her music, especially the new album, ‘Mary Casio’, I was struck by the depth of thought and analysis underpinning her work. I reached out to see if she would be interested in applying the same process to exploring the changing Arctic.
To my surprise and delight, Hannah agreed to make a new composition. We chatted about Arctic science – ice sheet dynamics, albedo feedbacks and microbiology in particular, and I provided footage and images from our field sites in Greenland and Svalbard. Hannah then went away and composed a piece of music inspired by the intricate processes, nested feedbacks and hidden complexity of this environment. I then cut the music to drone footage I filmed on site in 2017. I am overjoyed with the result, because I think Hannah’s music communicates perfectly the almost paradoxical sense of grandeur and intricacy, power and vulnerability of the ice.
Explore more of Hannah’s amazing music here
Tomorrow we will launch our new film, “Ice Alive” at the Royal Geographical Society, plus an exciting new art-science collaboration…